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Harmonic materials of modern music resources of the tempered scale. by Howard Hanson

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Published by Appleton-Century-Crofts in New York .
Written in English


  • Musical intervals and scales.,
  • Harmony.

Book details:

LC ClassificationsMT45 .H3
The Physical Object
Pagination381 p.
Number of Pages381
ID Numbers
Open LibraryOL6247255M
LC Control Number58008138

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Harmonic Materials of Modern Music First Edition (NAP) by Howard Hanson (Author) out of 5 stars 1 rating. ISBN ISBN Why is ISBN important? ISBN. This bar-code number lets you verify that you're getting exactly the right version or edition of a book. Cited by: In this exciting new study of a largely overlooked but nevertheless extremely important figure in American music, author Allen Cohen explores the relationship between theory and practice in the works of Howard Hanson, a prominent twentieth-century composer, conductor, and educator. In Hanson's book Harmonic Materials of Modern Music, he proffered a theory of classification of all possible. Harmonic materials of modern music;: Resources of the tempered scale [Hanson, Howard] on *FREE* shipping on qualifying offers. Harmonic materials of modern music;: Resources of the tempered scale5/5(1). Internet Archive BookReader Harmonic materials of modern music; resources of the tempered scale.

Send Email. Recipient(s) will receive an email with a link to 'Review: Harmonic Materials of Modern Music: Resources of the Tempered Scale by Howard Hanson' and will . Modern Harmonic is a home for dissonance and harmony, eccentric jazz, experimental music, space age pop, beat poetry, outsider music, and other genres for people who prefer their music a little left of center, but perfectly centered on their turntables. ext Harmonic materials of modern music: resources of the tempered scale Eastman School of Music Series: Author: Howard Hanson: Edition: illustrated: Publisher: . treatises. His book, Harmonic Materials of Modern Music, represents the results of over a quarter-century of study, and his conviction that there is a need for this treatise springs from thirty-five years of experience as a teacher of com-position. In his preface, Dr. .

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